Showing posts with label unklejam. Show all posts
Showing posts with label unklejam. Show all posts

Sunday, 3 June 2007

00s brit soul - national identity

finally, after the copycat 80s and highs and lows of the 90s, british soul was ready to take on its own identity.

one of the first ways in which it achieved this was by redefining soul. house and garage were big business in the 90s, but the urban clubs and superclubs rarely mixed. typically, r&b was a smaller room adjacent to the the cheesier, townie clubs and didn't even get a look in at cream, renaissance and the ministry of sound.
the speed garage scene that took off in the late 90s eventually slowed to a two step beat, and created a completely new sound. r&b vocals were married to stuttering, club-friendly beats and for a few years, between 1999 and 2002, uk garage was the sound of young UK.

after the inevitable drop in demand, uk hiphop and r&b were faced with a decision. either they could continue to emulate their US counterparts or they could use elements of uk garage to make their output distinctly british.

now we have traditional soul, copycat r&b, grime and some artists that defy classification and confuse the hell out of the yanks. we're back in business...

twelve very different uk tracks from the 00s - download here



lemar - if there's any justice
the only good thing to come out of the dull fame academy, simon cowell surely wishes he'd been able to get to lemar first. lemar, like girls aloud, has truly transcended his reality show beginnings and is pretty much the best current british male r&b act.



misteeq - why
south london girl band who leveraged links with the so solid crew to create a successful career in the early 00s. swiftly shook off their uk garage roots by the time they reached their second album in 2002. the group split largely due to their label, polydor, sinking after investing way too much in tone deaf victoria beckham. that's got to hurt.


unklejam - love ya
relative newcomers who have been blessed/cursed with the 'sounds a bit like prince' tag. time will tell if there is more to them than this track, but the odds are in their favour with the hype reaching all corners of the globe right now. another myspace success.

sadie ama - so sure
shola's little sister had a valuable induction into the industry at an early age, and she's making some good choices production-wise, collaborating with the likes of kano and terror danjah amongst others. looks and sounds exactly the same - with shola expected to relaunch anytime soon, could be interesting.





conner reeves - oughtabelaw
irish soul boy who first came to prominence in the late 90s. this track from last year deserved way more attention. possibly one of the breed of artists that has suffered greatly from the download revolution as his image doesn't quite fit his music. i always think people navigate this poor fit by just grabbing the audio.




emmanuel and terri walker - flirtin'
always tipped to break through. hopefully it will happen for her before she is talked into a beverley knight-style commercial compromise. this track is from emmanuel's 2006 project that featured numerous british soul artists on his productions.



keisha white - open like so
came through around the same time as keyshia cole, and is far more talented, but received about 5% of the promotion. so, keyshia collaborates with p diddy and is set to release her second album whilst keisha's future is unknown. harsh. a good example of why leona lewis has been whisked off to the us.



nate james - universal
actually received some promotion around his debut in 2005, and it did ok. i'm going to be lazy and say he's a hybrid of stevie wonder and lenny kravitz and worthy of your attention. hopefully an association with next big thing, sway, will catapult him back into the limelight.



craig david - seven days with mos def
back in 2000, referring yourself in the third person was even more ridiculous than it is now. the ensuing bo selecta parody may outlive his music in the nation's consciousness if he doesn't pull his finger out soon. craig, unfazed, still refers to himself in the third person when appearing on mtv cribs showing us how all his cash has enabled him to construct a state of the art pulling den. no women in sight though, and you can't swing a jocasi bag round london without hitting someone he's tried it on with.


ms dynamite - fall in love again
made a good contract choice and got the promotion other uk artists would kill for. this resulted in numerous awards for her debut album which, although nice enough, sounds dated only five years later. this track, from her largely ignored second album, will hopefully age a bit better.


spl2rge - scuse me
like unklejam, appear to be on the verge of big things, promotion notwithstanding.
i never hold my breath on these things anymore.




taio cruz - i just wanna know
mario soundalike who can't be accused of trying to create a british identity. which is fair enough. we don't want to end up like the irish, who have to be irish all the time.


Tuesday, 17 April 2007

purple music


so, for my first post i'm tackling the big one. prince.

well, prince himself is rather small but his catalogue of work is...a monstrosity. with another artist, a prolific output could amount to countless filler, mediocre demos and alternate (ie. crap) versions of their better known work. but with prince, not so much.

some of prince's b-sides, leftover album tracks and unreleased gems are as popular amongst fans as his hits. and just when you think there can't be any more, he unleashes yet more lost jams - seriously, from 1976 to 1990 this man must have only have been let out of the studio to perform.

I'm going through a serious prince moment right now. 2007 has seen a return to his patented minneapolis funk style amongst the r&b community in particular. p diddy and fergie's press play reject 'all night long', ashanti's 'my number babe' and unklejam's 'love ya' to name just three.

one of the disconcerting things about growing up listening to prince was that at an early age, you suspected that you were already taller than him. his songs had cute, girly titles like 'pink cashmere', 'peach and 'kiss' that failed to alert your parents to the rudeness that lied beneath. and like most little girls he loved purple and was unashamedly crazy. he loved to dress up and act like a diva - we identified.

during the 'symbol' era, many thought he had taken self-obsession a step too far - he thought he was unique, and therefore untouchable. the critics disagreed but guess who ended up being right?

one of great things about prince is that he was happy to share the limelight. to give up some of his best songwriting to other artists such as chaka khan (i feel for you), the bangles (manic monday), and sinead o'connor (nothing compares 2 u), was an inspired move that ensured his longevity. back in the day, when you literally bought the album and hoped for new b sides, his output was consistent rather than overwhelming and you never had the opportunity to get tired of him (beyonce, take note). whilst his latest protege or composition, liberally sprinkled with his signature style, wowed the public, he was backstage plotting his next move.

he remains to this day the daddy of the protege business, using his purple magic to launch the albeit short-lived careers of taja sevelle, vanity 6, jill jones and sheila e amongst others, and the various bands he performed with over the duration of his career - the time, the family, the revolution and the new power generation.

this is my current hard to find prince top 10 - it changes daily. i have more prince on my mp3 player than any other artist - about 150 tracks. ok, so these days you can download anything but these are non-album tracks, at least.

top 10 hard-to-find prince mp3s... download here

17 days
originally written for vanity 6 sequel project appollonia, prince eventually released this as the b side to 'when doves cry' in 1984. amazing bassline, almost as good as the a side.

wonderful ass
classic prince circa purple rain. no idea why it didn't make the cut - maybe warner bros. couldn't handle the concept of a song with 'ass' in the title? well, it was 1983.

sex
again, prince tells it like it is and this gem doesn't make the cut for the 'batdance' soundtrack released in 1989. just before color me badd moved the boundaries of acceptability...

tell me how u wanna b done
remix of 'the continental' from the 'symbol' album. but much better.

cindy c
1987's controversial 'black album' was pulled due to concern over the overt eroticism of the lyrics...uh...had they been listening to the other lyrics up until this point? prince apparently had a huge crush on cindy crawford, despite her towering over him by a good nine inches.

erotic city
ok, so prince is obsessed with sex. but this b side to 'let's go crazy' is a fan favourite and still tears up the dancefloor.

love or $
hard to find track featured in the film 'under the cherry moon' that failed to make the cut for the accompanying soundtrack, 'parade'. only ever officially released as the b side to 'kiss'.

last heart
an album track from the 1985 'dream factory' project that got shelved when prince was forced to streamline the content to create 1987's 'sign of the times' album.

18 and over
1991 diamonds and pearls-era reject that picks up where 'gett off' and 'cream' left off...

underneath the cream
a track from 2004's 'chocolate invasion' album which was only available via the npg music club.

expect more prince in future posts...